Archive for March, 2010

Louise Bourgeois ‘Les Fleurs,’ at Kukje Gallery

Tuesday, March 23rd, 2010

 

Space 2, 62 Sogyeok-dong, Jongno-gu, Seoul
24th February- 31st March 2010
Opening hours: Monday- Saturday 10am-6pm, Sundays and National Holidays 10am-5pm
Admission: Free
 
Louise Bourgeois, 'Les Fleurs' poster, Kukje Gallery

Louise Bourgeois, 'Les Fleurs' poster, Kukje Gallery

The current Louise Bourgeois exhibition in Space 2 at Kukje Gallery is a beautiful and astute statement from this famous French artist in her typical multimedia approach. 21 works express themselves in graphite, gouache and watercolours, on both paper and fabric, as well as sculpted bronze. All pieces which were completed in the last 3 years are united in their use of sweeping organic forms to quietly yet defiantly speak of femininity and what it is to be a woman. 

There are 36 A5 works named ‘Les Fleurs’ (2009), which are grouped into four series. They all take on a similar form of simplistic floral forms presented in monotonous blood red. Each is a variation on the next and looks like four or five groupings of pooled blood joined by miniature sadistic canals. There is repetition yet variation here and the reds suggest passion, aggression and desire. They have been painted quickly and without precision and it is apparent that Bourgeois has only taken the starting point of the floral form and turned it into something more fluid and fantastical. In fact, all of the pieces suggest an organic starting point, either of human or plant form, and she uses line to test the limits of reality and fiction. They are at once both figurative and abstract.
 
There are drips and splashes of red paint on the white paper which contrast with the jerky but confidently executed graphite lines. She has used brushes loaded with wet, wet watercolours and gouache which means that her movements are audible through the now dry splashes and swirls. Life bursts from these works. Her piece ‘I Am Still Growing!!! (#1)’ (2008), seems to quiver with energy and threatens to do what it says in it’s title!
 
What I loved most about this exhibition is that I could see this tiny little old French lady working feverishly and almost obsessively on these pieces. I could see her completely indulging herself in the pleasure of the striking effects of the wet blue and red paint on paper and lovingly stitching beads and her initials into others. There is something cathartic about these motions and the repetitive nature of the works which makes them so enthralling. So whilst they are feminist statements, the less politically minded can still enjoy this wonderful collection of beautifully executed emotions laid bare.

 

Directions: Exit from exit 1 of Anguk station. Bear right and take the 3rd road on your right therafter, which runs parallel to the wall of Gyeongbokgung Palace. Walk straight up and past the Armed Forces Hospital. Kukje Gallery is on your right after Hakgoje and Gallery Sun Contemporary art galleries.

Czech National Puppet Theatre’s marionette performance of ‘Don Giovanni’ at HoAm Art Hall, Seoul

Thursday, March 18th, 2010

HoAm Art Hall, JoongAng Ilbo Building, 7 Sunhwa-dong, Jung-gu, Seoul
17th March- 21st March 2010
Show time: 7:30pm- around 9pm 
Admission: Ticket prices range from 20,000 won to 70,000 won, so get there early for a cheap ticket!   

Don Giovanni poster, HoAm Art Hall

Don Giovanni poster, HoAm Art Hall

If you are reading this and it’s not yet Monday 22nd March 2010, then you still have a chance to see the Czech National Puppet Theatre’s wonderful marionette performance of ‘Don Giovanni’ at HoAm Art Hall. These respendently dressed marionettes with striking features certainly aren’t just for children either. So, go! Now!

Despite Mozart’s masterpieces being sung in Italian and translations being provided in Korean, there is no need to despair if you don’t speak either of these languages. A quick look at wikipedia will fill you in on the story of Italian stallion Don Giovanni before you go. You may even surprise yourself at what you can understand: I managed to decipher one line that went, “coffee, chocolate, (something something) chorizo!” Furthermore, the art of marionette performance has been perfected by this group. Let yourself be entirely sucked into this miniature world of lovable and colourful wooden characters. Watch them jerk, twist, slide and fly across the miniature stage in their lavish costumes of ruffles and bustles, feathers in caps quivering, whilst wildly gesticulating at each other with their little wooden hands. Marvel at the skill of the puppateers, whose red velvet sleeved arms are in full view of the audience as they operate from above and behind the stage sets. They also become a spectacle to behold in the one and a half hour performance and you may find yourself completely mesmerised in the skill of their quick and elegant hand work. It’s fascinating to see them seamlessly pass marionettes between eachother to manouver the marionettes from one side of the stage to another. It becomes apparent as you watch that the puppateers need to know not just what they are doing, but what all other puppateers are doing throughout the show. Two of these puppateers even take to the stage at points; once as a giant statue that comes to life, and the other as a caretaker of the auditorium that the marionettes have come to life in and are acting out Giovanni’s story in.  

Scene from Czech National Puppet Theatre's 'Don Giovanni'

Scene from Czech National Puppet Theatre's 'Don Giovanni'

I fell in love with these marionettes. The way they move is amazing! Little things like a bewildered scratch of the head, the marionettes getting amorous with eachother, and Giovanni being spun out of a towel by a servant before his bath time, make the performance a very funny one. Giovanni’s shoes were the best part for me. They were obviously very heavy and looked like fine, pointy, Italain boots. I imagine they’d been made only with the best leather! And his extra heavy feet made sure he minced, strutted and swanned across the stage in the most confident of manners.  

I think that this is a wonderful chance to see an extremely fine example of one of the things that the Czech Republic does best. Grab it!    

Directions: Take the subway to City Hall and navigate your way out at exit 9. Turn left and keep walking straight for around 200 metres, past Shinan and KB banks. The JoongAng Ilbo Building will be on your left. The ticket desk is right in front of you as you walk in.

Bukchon: a traditional Korean village within downtown Seoul

Wednesday, March 17th, 2010
View of hanok traditional homes in Bukchon

View of hanok traditional homes in Bukchon

I’d heard stories of a hanok (traditional Korean house) village within downtown Seoul that was host to numerous independent cafes, galleries, museums and shops, but was always a little sceptical. An old hanok village, amidst all these dwarfing, spangly high rises? Pah!

On Sunday however, after a little internet research, I was delightfully proved wrong. Bukchon sits nestled beside Gyeongbok Palace under the watchful eye of a large, and particularly Asian looking, slate grey rocky mountain. It’s within easy walking distance of Anguk subway station, so it can easily be combined with a day out to Insadong. Insadong and Bukchon are comparable in that they are touristy because of their traditional feel, but in terms of authenticity, and for a much less hectic atmosphere, Bukchon wins hands down – perfect for Sunday afternoon strolling!

Detail of metalwork on door, Bukchon

Detail of metalwork on door, Bukchon

It’s a hilly area of well maintained hanoks with graceful low roofs resembling gentle grey lapping waves. The houses are clustered together in a disorientating fashion, separated by skinny, snaking alleyways and usually arranged in a square shape around central courtyards. High walls and thick wooden gates adorned with precise metal work protect the privacy of the homes and promote a serene environment, while dark stained wooden posts with white painted ends support the tiled roofs and wooden latticed shutters keep out hot sun and curious eyes, (it’s so nice to see wood!) Big, brown, ceramic kimchi pots and flower pots crowd together outside doorways.

Despite this maze-like arrangement however, Bukchon is surprisingly easy to navigate. There are a few south- north main thoroughfares which cut through the hanoks that help keep you right, and there are also helpful signs showing the way to some of the main attractions in the area. Stop off at one of the Tourist Information Centres located just north of Anguk station to pick up a map of the area before you set off. You can also buy a 10,000 Won ticket here which gets you entry to Gahoe Minhwa Museum, Donglim Maedup Museum, Seoul Museum of Chicken Art and Han Sangsoo Embroidery Museum within the area.

Without doubt, you will stumble upon numerous small museums which mainly showcase elements of traditional Korea, be it in terms of arts and crafts, ways of living, or food. There are also numerous galleries which support leading contemporary Korean art. Because it was a Sunday, I found the Seoul Museum of Chicken Art, which displays all types of arts and crafts related chicken motifs from around the world, to be closed. The Traditional Doll Centre was also closed. Given my affection for birds and dolls, I was dismayed. However, I was especially taken by the lovely Owl Art and Craft Museum; a room dedicated to one lady’s 40 year old collection of owl paraphenelia which takes form in clocks, stamps, clothing, vases and even lamps. She will even serve you tea in her owl mugs!

Owl Art and Craft Museum, Bukchon

Owl Art and Craft Museum, Bukchon

Toykino Museum has 6 rooms filled with film and animation models- a must for Spiderman fanatics! However, it’s not as interesting or atmospheric as the old dusty collection of toys in Toto in Insadong.

If you’re feeling in need of a pick me up after a while of pounding these often precorious streets, there are loads of cafes and restaurants ranging from traditional Korean teashops and fare, to Italian, Chinese, Malay, Singaporean and Indian food. All are a bit on the pricey side, so if you’re short for cash, seek out a long line of Koreans waiting for some great street food.

Traditional woven Korean slippers, Bukchon

Traditional woven Korean slippers, Bukchon

There are far too many sights to list here, or even visit in one day. I earmarked a few things on my map before setting off, but I found that the most pleasure I got was from simply wandering and losing myself in the twisting alleys and discovering museums, galleries and photo opportunities as I came across them. The further from the main thoroughfares you venture, the quieter it becomes; it’s likely that you will only hear the sound of your own footsteps and a few chirping birds. I will definitely be back on a Saturday to check out what I missed out on this time. Avoid Mondays, when most museums in Seoul are closed (unless you’re looking for an even quieter experience!)

If you’re wondering what a peaceful, pre- Industrial Korea was like, then Bukchon is your answer.

Directions: Take orange line 3 to Anguk station and leave from exit 1 or 2. Head north and you’re there.

‘i, Robot,’ at SOMA Museum of Art

Tuesday, March 16th, 2010

SOMA Museum of Art, Seoul Olympic Park, Seoul
17th December 2009- 14th March 2010
Opening hours: Sunday- Wednesday 10am- 6pm, Thursday- Saturday 10am- 9pm
Admission: Adults  1,000 won, Students 700 won, Children 500 won
 
I can’t say I had much hope for the i, Robot exhibition that just finished at Soma Museum of Art in Seoul’s Olympic Park. I’ve never really been into robots, and as far as I was concerned i, Robot was an unappealing film starring Will Smith. However, after visiting the exhibition on Saturday I’ve had a change of heart and feel an affection towards these oft misunderstood beings.
Exterior; 'i, Robot,' SOMA Museum of Art

Exterior; 'i, Robot,' SOMA Museum of Art

The exhibition began with a look at the history of robots in popular culture. This included early examples of German wind up insect robots, plastic 50′s toy robots and an attempted explanation of the ‘sexy robot’ phenomenon. There were also old hardback copies of books by Karl Capek, an influential Czech writer of the 1920′s who was apparently first to use the term ‘robot’, and Isaac Asimov, the man who penned the title of ‘i, Robot,’ for a collection of short stories published in 1950.
 
Coubertin (1988), Nam June Paik, SOMA Museum of Art

Coubertin (1988), Nam June Paik, SOMA Museum of Art

After this brief overview, the exhibition shifted up a gear with a room devoted to some of the work of Korea’s reknowned video artist, Nam June Paik. On display were a number of his oversize figures made from mini TV screens and old wooden radios. One was part of a series made for the 1988 Seoul Olympics named Coubertin (1988), and a sister in the series can be seen in the grounds of SOMA. This room was clearly a hommage to Paik (an artist whom I’m sure the younger artists in the remaining 4 galleries had taken inspiration from) and did a good job of setting the tone for the rest of the exhibition.

 
Stand out work included 13 Buddha_z 13 (2009) by Korean artist Zi-won Wang. In this piece, Zi-won Wang had made 13 beautiful white, porcelain-like plastic Buddhas. The Buddhas’ heads and arms were all connected to cogs tbat moved slowly and gracefully in circular motions, subtly emphasising the continuous dedicated mantras undertaken to attempt to achieve nirvana and the cyberpunk ideal of immortality.
 
Another highlight was by fellow Korean artist Yong Kwan, who had turned one room into a dizzying tunnel of competing black diagonal stripes that unfolded from the walls and into the space. With an ingenious use of cardboard, the stipes started at one end of the room and multiplied towards the other end to make more elaborate, step-like structures.
 
My favourite piece of the show, however, was definitely Jinah Roh’s Inanimate Organism Series (2009). Here, 8 glass plates were elevated slightly from the floor, all containing large amounts of blue mould. An ajoining microscope and projection screen displayed the contents of the plates. You could ‘zoom in’ on the bacteria by turning the knob, and if you turned it far enough, the bacteria became individual worm like strands with human heads attached. This was in fact a recording of the gallery’s centrepiece; a grotesque circle of writhing heads with desparate, demonic eyes. Very creepy, but I loved them!
 
Overall, the exhibition did a good job of tying together the theme of robotics and culture, and it was great to see some contempory work from Korean and Japanese artists. I’ll be keeping a close “i” out for some of these names in the future!

Old ‘Flying Bird’ Tea Shop, Insadong

Tuesday, March 9th, 2010
Exterior, Old Tea Shop, Insadong

Exterior, Old Tea Shop, Insadong

2F 2-2 Kwan Hun-Dong, Chong Ro-Gu, Insadong
(If you are walking south down the main street of Insadong, about half way down, take one of the streets branching off to the left.)
Opening hours: 10am- 11pm
Cup of tea: 6,000 won

Bird fans unite! Here is a teashop that is home to a number of lovely wee finches who are free to fly as they please overhead as you quench your thirst. Tea and birds… what more could one want when in need of respite from the tourist trampled streets of Insadong?

Even the softest of steps up the old wooden stairs and into the tea shop create giant groans which may make you think twice about completing your journey up them. However, upon entering, you will find that the Old Tea Shop is lovely and cosy. Beautiful, aged wooden furnishings are clustered together in the small space to provide nine different seating areas; choose between a table with little stools, floor seating, or private, screened-off booths. Maybe you’d like the to sit at the table made from a big ceramic bowl with goldfish in, covered with glass? Feast your eyes on a plethora of wooden carvings, old chests, paintings and ceramics which serve the double purpose of decorating the interior and providing perches for your new feathered friends.

Birds and interior, Old Tea Shop, Insadong

Birds and interior, Old Tea Shop, Insadong

Perhaps this idea would not wash with Health and Safety bores at home, but these birds seem to be toilet trained and the place is kept clean. And of course there’s the tea, served with complimentary sweet rice cakes. A variety of teas are offered at 6,000 won a cup. A lovely traditional style tea shop with some extra tweet atmosphere.

‘Andy Warhol, the Greatest,’ at Seoul Museum of Art

Monday, March 8th, 2010

Seoul Museum of Art, Jung-gu, Seoul
12th December 2009- 4th April 2010
Opening hours: Tuesday- Friday 10am- 9pm, Saturday, Sunday and National Holidays 10am- 7pm, closed Monday
Admission: Adults 12,000 won, Teens 10,000 won, Children 8,000 won

Entrance Hall, Andy Warhol Exhibition, Seoul Museum of Art

If you haven’t already seen the Andy Warhol show at Seoul Museum of Art, then hurry! It’s only open until April 4th! Don’t miss your chance to see a wonderful collection of over 400 original, mainly silkscreen works by The King of Pop Art himself. The exhibition includes some of his most instantly recognisable works, such as his iconic coca cola bottles, soup cans and celebrity portraits, as well as some lesser known works. Being one of the most famous artists of the 20th century, (he has definitely outlived his predicted 15 minutes of fame,) it is a pleasure to see these icons of our time in the flesh.

Walk through the soup can, turn right at the banana, and you’re plunged into Warhol’s world. In the first room is a collection of earlier works which he produced during his time as a commercial artist, working for the likes of Vogue and Harper’s Bazaar. These simple yet visually stunning pieces give us some insight to the mind of a young Andy, and hint towards his future signature bold, blocky colours and striking linear style. It’s also great to see a small section of the exhibition dedicated to a number of religious works; it is a little known fact that Warhol was indeed a religious man.

A further section is dedicated to his ‘Time Capsules,’ annual collections of items from his daily life. Here we are shown tidbits of these archives, including newspaper cuttings, records, some of his collection of shoes, and a book of Quotations from Chairman Mao, offering further insights into his inner life.

A room is also dedicated to celebrity portraits, signifying the mechanised aspect of his work, (Wharhol once said, ‘The reason that I’m painting this way is that I want to be a machine.’) There’s a real sense that lots of these works were simply churned out, which isn’t neccesarily a bad thing, as some critics of the time thought, but merely another dimension to his work which equally reflects the time and place he was producing his work; 1970′s America.

Quotations, 'Andy Warhol, the Greatest'

Lots of Warhol quotes are peppered throughout the exhibition, which really helps one gain deeper understanding of the works. The quotations are written in perfect English, but the English translations on the information cards are pretty bad. The first sentence an English speaker reads will probably be,’ Andy Warhol is a Pop Artist who was beloved from public as like superstars during his lifetime.’ This comes across as highly unprofessional. Furthermore, whilst the collection of silkscreens is brilliant, I feel that more attention could have been paid to his ‘Factory.’ There was nothing to indicate that Andy was not the sole artistic hand to all of the pieces. His work involving music and film could have also been expanded on beyond one room playing film and music of the Velvet Underground with no explanation. Likewise, a collaborative piece with Jean- Michael Basquiat was exhibited, but the importance of such a collaboration, which saw Warhol pick up a paintbrush to actually paint for the first time in years, could have been highlighted.

Overall, however, this is a great exhibition, not to be missed. The show is well laid out and offers a comprehensive guide to his most famous work; a chance to see some of the most famous artistic images of the 20th century, as well as glimpses into the life of the man who produced them.